Harlow gets curverd by Doja on Insta Live !

JACK HARLOW GETS CURVED BY DOJA CAT ON IG LIVE AFTER PROFESSING HIS 'LOVE' FOR HER

 

 

 

Per the hook of his Billboard chart-topping “First Class” single, Jack Harlow might want to “throw up the L” following his recent Instagram Live session with Doja Cat.

On Wednesday (May 4), the Louisville-bred rapper appeared to have been under the impression that the force was with him as he unabashedly fired off a hail mary shot at the Planet Herstar during a brief virtual encounter on IG live. Toward the end of their conversation, Doja attempted to dismiss herself, which prompted the “Tyler Hero” lyricist to go on the offensive.

“My wig is coming up, I gotta go,” Doja Cat said while peeling back her lace front wig. “Ahh, thanks for this,” she continued, to which Jack Harlow added with rosy eyes, “Love you.” While it’s unclear whether or not Doja Cat heard him profess his love to her, Jack Harlow seemed undeterred by her abrupt exit from the live as he confessed, “Oh man, I’ve had a crush on her,” immediately after she dipped out.

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This past week has been somewhat of a brazen one for Jack Harlow, who is gearing up to release his Come Home The Kids Miss You album on May 6. On May 3, he teased an unreleased record that alluded to his lewd intentions withDaBaby’s “Levitating” pop star collaborator Dua Lipa. “Dua Lipa, I’m tryna do more with her than do a feature/I check the web, they out here chewin’ me up/Fuck it,” he raps in the snippet in a video on IG.

There is somewhat of a pattern, though, of Jack Harlow doing the most in order to put his crushes on notice. During a Q&A with fans on his IG Stories in February, he revealed he has a thing forCity Girls‘ member Yung Miami.

Watch the hilarious clip below.

Eminem heading towards Rock N Roll hall of fame

EMINEM HEADED TO ROCK & ROLL HALL OF FAME – BUT NOT WITH A TRIBE CALLED QUEST

 

 

 

CLEVELAND, OH –Eminem is officially among the 2022 Rock and Roll Hall of Fame inductees. The Rock Hall made the announcement on Wednesday (May 4), revealing its 2022 class.

Dolly Parton, Lionel Richie, Pat Benatar, Duran Duran, Judas Priest, Eurythmics, Carly Simon, Henry Belafonte, Elizabeth Cotten, Jimmy Jam & Terry Lewis, Allen Grubman, Jimmy Iovine, Sugar Hill Records founder Sylvia Robinson and, of course,Slim Shady will receive the honor on November 5 at the Microsoft Theater in Los Angeles.

Eminem is one of the only Hip Hop solo acts to make the cut, following JAY-Zwho was inducted in 2021. The 49-year-old MC landed in the Rock Hall in his first year of eligibility and will be the 20th Detroit performer enshrined in the institution’s 36-year history.

Meanwhile, A Tribe Called Quest, MC5, Rage Against the Machine, Beck, Fela Kuti, Dionne Warwick, Kate Bush, New York Dolls and Devo didn’t earn enough votes for induction, at least not this time around.

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Eminem was a strong contender for the prestigious honor from the moment the Rock Hall announced its 2022 prospects. The ballot officially closed on April 29 with a grand total of five million votes. Duran Duran, Eminem and Pat Benatar landed in Top 3 with Duran Duran collecting nearly 934,000 votes, Slim Shady with around 684,000 and Benatar with approximately 634,0000.

The Eurythmics came in fourth place with over 440,000 votes, followed by Dolly Parton in fifth place who in recent months withdrew from Rock Hall consideration only to reconsider her stance. Finishing just outside the Top 5 was 3x-nominee Judas Priest, Carly Simon and Lionel Richie.

DAVE CHAPPELLE ‘STOMPS’ ARMED MAN AFTER BEING ATTACKED ONSTAGE

 ANGELES, CA – Dave Chappelle was performing at the Hollywood Bowl in Los Angeles as part of the Netflix Is A Joke Festival on Tuesday night (May 3) when he was attacked onstage.

Footage circulating on social media shows a man rushing the stage and charging toward Chappelle in an attempt to tackle him. The comedian, who is believed to be unhurt, managed to stay on his feet as the man went hurtling toward the ground.

It’s unclear what prompted the attack, but things didn’t end well for the culprit. Another video shows the man getting beaten up by a group of at least 10 people behind a screen at the back of the stage.

The attacker was later loaded into an ambulance, with various clips showing his face bruised and swollen and his right elbow twisted backwards as he sat on a stretcher.

According to KABC‘s Stephanie Walsh, the man was reportedly armed with a gun and a knife and was taken into police custody.

The attack happened toward the end of Chappelle’s set, just moments after he revealed he’d increased his security because of the backlash to his jokes about the trans community, perBuzzFeed News reporter Brianna Sacks.

As his security continued beating up the man, Chappelle returned to the mic and addressed the incident, joking about the attacker being a “trans man.”

Chappelle was later joined onstage by Jamie Foxx. “Whenever you in trouble, Jamie Foxx will show up in a sheriff’s hat,” Chappelle quipped. “N-gga, I thought that was part of the show. I grabbed the back of that n-gga’s head. His hair was spongy, absorbent.”

He added, “N-gga, I’ve been doing this 35 years. I just stomped a n-gga backstage. Always wanted to do that.”

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Foxx then joked, “I’m back there squeezing that n-gga, too,” before Chappelle said, “I seen Busta Rhymesthere and he was like, ‘That’s how you do it, God.'”

Chris Rock — who was one of several special guests during Chappelle’s show — also returned to the stage after the attack and joked, “Was that Will Smith?” (Rock was slapped in the face by Smith at the 2022 Oscars in March.)

Warner Music UK’s international marketing team talk Tion Wayne’s 2 billion streams and rap exports

Warner Music UK's international marketing team talk Tion Wayne's 2 billion streams and rap exports

May 4th 2022 at 7:13AM

Warner Music UK's international marketing team talk Tion Wayne's 2 billion streams and rap exports

Warner Music UK has three of the biggest acts in the world right now: Dua LipaEd Sheeranand Coldplay.

In the latest issue of Music Week, Victor Aroldoss, SVP, international marketing, joins his team to discuss their global superstars and the streaming impact of new acts includingPinkPantheress, Joel Corry and Griff.

One area of particular focus is the burgeoning British rap scene and its increasing global potential. Tion Wayne may have had the first UK drill No.1 (alongside Russ Millions), but the real prize for the Atlantic-signed rapper is the huge export market. 

Wayne amassed a whopping two billion streams globally in 2021, with 74% of that total outside the UK. As well as being No.1 in the UK, Australia, New Zealand and Ireland, Body reached the Top 10 in Denmark, the Netherlands, Norway, Sweden, Switzerland, Greece, Austria, Hungary and the Czech Republic.

After the UK, Tion Wayne’s biggest streaming markets last year were the US, Italy, Australia and Germany.

“We had the first Australian No.1 for a UK rap track ever for Body,” Victor Aroldoss told Music Week. “There are huge opportunities [for UK rap]. We’ve proved that with Tion Wayne, who also had a gold record in America [Body is approaching 500,000 US sales]. There’s a whole level of artists we want to have international careers. I want them to be playing big venues all around the world, as they are doing in the UK.”

The global push for Tion Wayne was previously led by Portia Clarke, who moved to head of marketing at Motown last year.

Aroldoss is targeting further global success for Wayne, as well as UK rap artists Pa Salieu andDarkoo. Greg Ojo has been appointed as genre lead to focus on Black British music.

“I want to break the perception that the only viable export for Black British music is the USA,” said Ojo, who was previously atDisturbing London. “Artists such as Tion Wayne, Pa Salieu and Darkoo have shown that there are a host of territories, as well as the US, that are very receptive to not only Black British music, but also the culture that comes with it.

“Our work with developing markets, and developing artists from across the Warner Music UK roster, is a testament to the ambition that Victor and the international team share to grow our Black music exports at all levels.”

“That's why that role was brought in – we need to develop a global Black music UK superstar,” said Aroldoss.

We need to develop a global Black music UK superstar

Victor Aroldoss

“One of the most important things that we need to do is that we need to show international success for our Black music artists, and really ensure that our markets are prioritising and being as aggressive as they would for any other genre of artists,” he added. “That is a bespoke approach. One of the things I've actioned – with Greg – is to ensure that he's talking to domestic hip-hop and rap and Black music specialists and product managers in local teams. 

“I don't want the international product manager [in a territory] working on [British] Black music artists. I want the person who’s working their biggest hip-hop artists in Sweden or in Spain, for example, so that we're talking to local cultures. Greg's role is hugely important in ensuring that, yes, we're exporting UK stories and success, but we're also developing our own authentic story in that local market, [with acts] being marketed to the local rap and hip-hop scene.”

Tion Wayne and Darkoo have teamed with local artists in other territories, but Aroldoss stressed that there are options beyond guest features.

“It could be collaboration in terms of jumping on a track, but it can also be interacting on socials, just expanding your network,” he said. “Greg’s role is about showing commercial success, but also exporting cultures and integrating cultures. So it's very important.”

Former Music Week cover star Darkoo, who’s signed to Atlantic, has 3.9 million monthly Spotify listeners.

“The streaming happening in Africa with Darkoo shows success can happen everywhere,” said Aroldoss. “That’s great, but as a repertoire owner we need to be really receptive to providing data [to global markets]. 

Ashnikko, for example, really popped in the States first and we could see that happening. It was then really important we were feeding that central global story from London.”

Pa Salieu amassed 152 million global streams last year, led by the UK, USA and Nigeria. The UK rapper, who’s signed to Warner Records. made his US TV debut performance on Jimmy Fallon.

“The three at the top of my mind at the moment are absolutely Tion Wayne, Darkoo and Pa Salieu,” said Aroldoss. “We’re deadly serious about breaking Black music abroad.”

Subscribers can click here to read the interview in the latest issue.

Read our interview with Tion Wayne and the Atlantic team here.

 

PHOTO: (Back L-R) Sophie Scholz (Senior International Marketing Manager) Liberty Wilson, Victor Aroldoss
(Middle L-R) Luke Chiswell (International Marketing Assistant), Fay Pritchard (Junior International Marketing Manager), Thomas Shannon (Senior International Marketing Manager)
Front (L-R), Olivia Spring (Senior International Marketing Manager), Greg Ojo , Sasha Jordan (International Streaming & Platform Manager)

Not pictured: Ali Grigor (International Marketing Coordinator), Mina Nguyen (International Marketing Coordinator)

Fivio Foreign ‘We made drill different’

Music

Rapper Fivio Foreign: ‘We made drill different. We made it mainstream’

The New Yorker on his debut album ‘BIBLE’, working with Kanye West — and why gangsta lyrics are like the movies
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“Pop was the king of New York,” Fivio Foreign raps on his debut album BIBLE. That’s “Pop” as in Pop Smoke, the Brooklyn rapper who was murdered in 2020. Fivio adds that he is now the one “in charge”.

Like Smoke, the New Yorker is a star of rap’s fastest-growing, most controversial sub-genre. Drill music first emerged in Chicago in the early 2010s and is now a worldwide phenomenon. New York’s main hub is in Brooklyn, where Fivio (pronounced “Favio”) grew up. “We made it different, we made it mainstream,” he says of its drill scene.

His first studio album is a big-budget affair. Among its large cast of guests is Kanye West, whose 2021 album Dondafeatured a scene-stealing cameo from Fivio. “He’s smart,” Fivio says of working with West. “For the whole process of thinking how I wanted to put my album together, I had him in mind. I was still on that Ye time.”

Released last month by major label Columbia Records, BIBLE debuted in the Billboard top 10. For Fivio, drill’s world of YouTube views has been replaced by the traditional music-industry metric of success, the album charts. “I had to explain to people who didn’t know that, yo, 29,000 sales for debut numbers, this is pretty good. I’m proud,” Fivio says.

Fivio Foreign performs on stage with Kanye West, dressed in black leather, and Alicia Keys, who is singing into a microphone
Fivio Foreign (left) performs with Kanye West and Alicia Keys at the listening party for West’s album ‘Donda 2’ in February © Walik Goshorn/Media Punch/Alamy

He is speaking from his home in New Jersey. It’s noon, and the self-styled king of the city across the Hudson is holding court from the regal location of his bed following a late-night session in a recording studio. I am unable to assess the splendour of his crib. He has his video off for our Zoom call. I can hear children somewhere in the background: he has three.

At 32, Fivio isn’t in the first flush of youth. A fear of failure flickers throughout BIBLE‘s lyrics, a shadowy flipside to its predominant air of polish and confidence. “All the time I’m always battling those demons in my head, about not wanting to lose, because I just can’t lose right now,” he says. “I’ve got too many people depending on me. So I always battle rap, you know what I’m saying? I always battle rap.”

Battling is a key element of drill, and also the cause of the notoriety of this hard, minimalist variety of rap, the product of an environment beset by gang rivalries and extreme violence. Fivio first became aware of it about a decade ago. “I liked the aggression. I liked the beats,” he says.

A stylistic shift came with a move across the Atlantic. UK drill added slower tempos and sinuously menacing basslines. In the hip-hop equivalent of taking coals to Newcastle, this London-based variant was then picked up by Brooklyn rappers. Among BIBLE‘s stable of producers is the Londoner AXL Beats, who produced Fivio’s breakthrough anthem “Big Drip”, a summer hit in 2019. It led to the rapper’s deal with Columbia Records, for a reputed seven-figure sum.

Real name Maxie Lee Ryles III, Fivio was raised in East Flatbush, Brooklyn. His father served in the US Army and his mother was a teacher. She died in 2016 after suffering a stroke. “That one hit kinda hard,” he says. “She made me feel like I was a winner.”

Fivio performs in 2019. He wears a black and red hoodie with the hood up, and is surrounded by people taking pictures of him on their camera phones
Performing in New York in 2019, the year of his breakthrough hit ‘Big Drip’ © Johnny Nunez/WireImage

Like its cousins in Chicago and the UK, Brooklyn drill has a violent reputation. Its first crossover star, Pop Smoke, was shot dead aged 20 during a robbery in Los Angeles. BIBLE opens with a shout-out to another murdered rapper, TDott Woo, who was killed in Brooklyn this February, hours after signing his first record deal.

“Definitely it should stop,” Fivio says of the rising toll of slain rappers. The extent of drill’s responsibility has provoked the same arguments about cause and effect as gangsta rap did in the 1990s. The line separating fact from fiction is blurry. In April last year, Fivio was arrested for possession of a loaded gun (he has yet to be charged for it).

Earlier this year, he joined a group of rappers who met with New York mayor Eric Adams to argue against plans to ban drill videos on social media. He supports a proposed law drawn up by two US senators and endorsed by Jay-Z to prevent rap lyrics from being used as evidence in criminal trials.

“I don’t think you can use rap lyrics in court,” he says. “Basically because it’s entertainment. It’s like a movie. And there are some people who don’t write their own raps. How do you say you want to use these lyrics when people don’t even write their own raps?”

He usually freestyles his own verses in the recording booth, making them up on the spot. The ones on BIBLE include the usual drill threats towards enemies, or “opps”, but they’re generalised rather than specific. Attempts are made to soften Fivio’s image. “Know I’m a gangsta but I get affectionate,” he raps at one point. “It’s just like, be free and be confident in who you are,” he says of these efforts to expand his appeal.

A favourite term in his raps is “viral”. Kanye West borrows it for a cameo appearance on the album when he declares, “Fivi is viral and this is the ‘BIBLE’.” The endorsement feels “big” to the pretender to the throne of New York rap. “Yeah,” Fivio says. “That means I really am viral, right?”

‘BIBLE’ is out now on RichFish/Columbia Records. Fivio Foreign is touring the US now and plays Wireless Festival, London, in July

How ‘Public Enemy’ Got Their Name


HOW PUBLIC ENEMY GOT THEIR NAME
 Scott Legato/Getty Images
BY MICHAEL DAWSON/MAY 4, 2022 3:01 PM EDT
Today, hip-hop is one of the most popular music genres in the world, and the most popular in the United States (via Billboard). And, it's not hard to see why. From the early days of boomboxes and breakdancing to the streaming era explosion, hip-hop has employed many fans and followers. Worldwide, many countries like the Netherlands and South Korea have their own variations of hip-hip, which enjoy their own success to this day, as stated by AllMusic. 

But, we would be remiss if we discussed hip-hop without bringing up one of its most iconic groups: Public Enemy. Featuring members Terminator X, Professor Griff, Chuck D, and Flavor Flav, Public Enemy was one of the most influential hip-hop groups of the 80s and 90s. They also have a grand total of 15 original studio albums under their belt to boast with some titles seemingly carrying a political message, according to Britannica. So, we're going to go over their history, along with how they got their name. 

PUBLIC ENEMY MADE POLITICALLY CONSCIOUS MUSIC ABOUT RACISM
 AlessandroBiascioli/Shutterstock
Public Enemy first came together at Adelphia University in 1982, as told by Britannica. Rick Rubin, then Def Jam record label producer, was apparently impressed with Chuck D's college radio performances, inviting the rapper to record at the label. Public Enemy's thesis statement was clear and loud: Black oppression is happening in America. Much of their work and soundscapes revolve around black politics and activism, resulting in a multitude of iconic albums, such as "Fear of a Black Planet," "Nation of Millions," and "Yo! Bum Rush the Show." 


As for Public Enemy's name itself, there are a few historical tidbits behind it. According to an interview in Rolling Stone, Chuck D explains that the name came from the 1787 three-fifths compromise, which stated that black people could only be considered as three-fifths of a person. "If this is a public document, obviously we must be the enemy, so that's where the name Public Enemy came from," Chuck said. 
  
PUBLIC ENEMY'S LEGACY STILL LEADS ON TODAY
 Jerritt Clark/Getty Images
As with many iconic hip-hop aspects, Public Enemy's famous logo also has a history behind it. In a Rolling Stone interview, Chuck D said that the group's iconic crosshairs logo was meant to symbolize how hunted black people are in America. "A lot of people thought it was a state trooper because of the hat, but the hat is one of the ones that Run-DMC wore. The B-Boy stance and the silhouette was more like the black man on the target," Chuck states.


Public Enemy's history is one fraught with fame and infamy, as, at one point, they were called "the world's most dangerous band" by the British tabloid music press, as said by Jeff Chang in his book "Can't Stop Won't Stop: A History of the Hip-Hop Generation". Their political activism remains relevant today, especially in the Black Lives Matter era, and might continue to do so for a good while (via Smithsonian Magazine).