The Final Curtain Call: Why Alex Ekubo’s Sudden Exit at 40 Has Nollywood in a Stunned Silence
It’s not every day the “Johnny Just Come” of the big screen decides to leave the party before the cake is even cut. I woke…
The Final Curtain Call: Why Alex Ekubo’s Sudden Exit at 40 Has Nollywood in a Stunned Silence
It’s not every day the “Johnny Just Come” of the big screen decides to leave the party before the cake is even cut. I woke up this Tuesday to the…
Savage Retro Rock & Peer Pressure: Why DESU TAEM’s “Why’d I Let You Talk Me Into It?” Is a Living Room Mosh Anthem
We’ve all been there. It starts with a simple “Come on, it’ll be fun,” and ends with you questioning every life choice you’ve made since the third grade. Whether it’s…
MISSING PERSON ALERT
​We appeal to the general public to assist in locating Eunice Ameh, who has been reported missing in Abuja. She was last seen at around 5:40 pm on the 6th…
Why “Prefab Jesus” Is the Post-Punk Sermon You Didn’t Know You Needed
Look, we’ve all been there—standing in the metaphorical checkout line of life, staring at a row of “Prefab Jesuses” on the shelf, wondering if any of them actually come with…
The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)
Listen, I’ve seen a lot of things in this industry, but every now and then, a track comes across my dashboard that doesn’t just ask for attention—it demands it with…
The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need
Modern music, much like a poorly drafted project plan, usually tries to sell you on the finished skyscraper—all glass, chrome, and zero soul. But every once in a while, you…