Life, my friends, is a beautifully orchestrated train wreck. We spend our days polishing the silver and ironing the curtains, only to have the universe—or a four-legged roommate named Buster—remind us that we are merely guests in a world ruled by entropy. I recently sat down with the latest offering from the Michigan-based father-son duo, DESU TAEM, and let me tell you, their track “Pile of Shit on the Carpet” is the sonic equivalent of hitting the cosmic reset button.

It is raw. It is messy. And it smells exactly like the truth.

Savage Retro Rock: A Family Affair in the Garage of Soul

For those of you living under a rock (and not the good, heavy kind), DESU TAEM is the brainchild of Shan and Nick Greene. Imagine, if you will, the DNA of Black Sabbath and Led Zeppelin spliced with the frantic, unwashed energy of Nirvana, then served up by a 59-year-old veteran and his 25-year-old engineer son. It’s a “Savage Retro Rock” cocktail that goes down like battery acid but leaves you feeling strangely enlightened.

As Anatole France once said, “Until one has loved an animal, a part of one’s soul remains unawakened.” Well, Shan Greene clearly has an awakened soul, and apparently, that soul just stepped in something squishy in the hallway.

The Poetics of the Puddle

The track “Pile of Shit on the Carpet” is a masterclass in turning the mundane into the monumental. We’ve all been there: you’ve had a day that felt like a wrestling match with a greased pig, you walk through your front door seeking sanctuary, and—squelch.

Most people would call a professional cleaner. Shan Greene calls for a guitar.

The metaphors here are thicker than the aforementioned pile. The song dives headfirst into the challenges of pet ownership, but it’s really a broader cynical nod to the “days” we all have. It’s about the vulnerability of letting something you love into your home, knowing full well it has the capacity to ruin your favorite rug. It’s a punchline delivered with a snarl and a perfectly synced beat.

“The greatness of a nation and its moral progress can be judged by the way its animals are treated.” — Mahatma Gandhi

If Gandhi is right, then DESU TAEM is teaching us that “treatment” includes the patience to write a riff about the mess rather than just losing your mind. Their vocal delivery doesn’t just sing; it bleeds. You can hear the passion, the frustration, and that signature “we don’t care what you think” punk attitude that makes this duo so refreshing in an era of over-polished, industry-approved pop-tarts.

Why You Need This Mess in Your Life

In a world of AI-generated perfection and curated Instagram lives, DESU TAEM is the “check engine” light we desperately need. They aren’t here to make friends; they’re here to make noise. They remind us that the most human moments aren’t the ones where we’re winning awards, but the ones where we’re standing in the living room with a roll of paper towels and a look of utter defeat.

“Pile of Shit on the Carpet” is more than a song—it’s a philosophy. It’s the realization that life is loud, it’s messy, and sometimes, it smells a little weird. But as long as the riffs are heavy and the sarcasm is on point, we’re going to be just fine.

Keep your ears open and your carpets clean, folks. Or don’t. The music sounds better when things are a little dirty anyway.

Stay cynical,

Mr. Benjamins


By Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.