By Mr. Benjamins | This Is Hip Hop HQ | August 28, 2025
United States – For most artists, a comeback story involves a charting single, a viral moment, or maybe a lucky collaboration. For Eylsia Nicolas, however, the journey is far more extraordinary. The Irish-Filipino singer-songwriter, former international tennis prodigy, music executive, and college president, has now taken center stage with her latest single, On Wings of Angels, released on August 6, 2025.
Described by Upthere Magazine as “a genuine musical hug… gospel minimalism at its most potent, equal parts raw truth, redemption, and tether to the celestial world”, the track arrives as the title song of her new project blending country, gospel, and spiritual influences. It is a record that soothes and uplifts in equal measure, offering listeners both comfort and reflection.
A Song That Feels Like a Prayer
From its first note, On Wings of Angels sets a tranquil atmosphere, built around a simple but haunting arrangement. There’s no overproduction here—just a voice brimming with sincerity and an instrumental bed that leaves space for the words to breathe.
The song is a meditation on life, faith, and the mysteries of what lies beyond. With lines that could easily double as poetry, it carries the weight of timeless country-spiritual classics. Fans have compared her delivery to legends like Don Williams and Dolly Parton, with the same ability to draw the listener in through raw honesty rather than theatrics.
Listening feels like hitting pause on the chaos of everyday life—an invitation to exhale, reflect, and reconnect.
From Tennis Courts to Recording Studios
Eylsia’s backstory reads like a novel. Once ranked on the international tennis stage, she competed at Wimbledon and the US Open, and famously became the youngest winner of the Irish Open at just 14 years old. But after a career-ending injury, she turned to music and business with equal determination.
Her path led to the executive suite, where she served as Executive Vice President at a record company that worked with icons like Stevie Wonder, Kenny Rogers, Paul McCartney, and Luciano Pavarotti. Later, she shattered glass ceilings as the youngest president of a nationally accredited U.S. college, while also serving on retail boards and shaping business innovation.
But it was a serious health setback during the Covid era—one that damaged her vocal cords—that brought her back to music in a new way. With the help of audio technology developed by Worldipi.com, she rebuilt her voice and discovered a newfound freedom in her artistry.
More Than Just Music
What sets Eylsia apart isn’t just her extraordinary resume—it’s her perspective. Having lived multiple lives in one, she sings with the kind of authority that only comes from surviving. Her gratitude is evident, not only in interviews but in her actions: she donates part of her royalties to support other artists’ welfare, a gesture that has earned her respect across creative communities.
Her music, meanwhile, has garnered millions of streams worldwide, with tracks like Pull Me to the Light gaining recognition across gospel and Christian contemporary circles.
Early Reception
Critics and fans alike are embracing On Wings of Angels. Power Ace Radio described the track as “empowering and emotionally rich,” while audiences across streaming platforms have left comments praising its calming yet deeply moving atmosphere.
One listener wrote, “This song feels like peace itself. It’s rare for a track to both heal and inspire at the same time.”
That duality—comforting yet stirring—is what makes Eylsia’s work stand out in a crowded music landscape.
Why This Release Matters
In 2025, where most songs are designed for 15-second clips on TikTok, Eylsia’s On Wings of Angels reminds us of a lost art: music as reflection. It doesn’t chase algorithms; it builds sanctuary. It doesn’t overwhelm with volume; it disarms with grace.
And in an era where listeners are craving authenticity, that’s a powerful position to occupy.
Final Word
On Wings of Angels isn’t just a song—it’s a testimony. It bridges the sacred and the personal, the earthly and the eternal. For Eylsia, it marks both a return and a new beginning. For listeners, it’s a reminder that sometimes music doesn’t need to shout to be heard.
Rating: 10/10
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Want me to also spin this into a double-feature format (covering both Moulod’s Kitsune and Eylsia’s On Wings of Angels side by side in one big “new music spotlight” article), or do you prefer each artist getting their own standalone press piece?